Monday, September 12, 2016

30 suddenly feels very old

I've always heard phrases like "time passes so quickly," or "time is slipping by," and I didn't think much of it because I was too busy doing awesome things and having fun. 

Tonight though, rather suddenly, I realized that I understand those phrases-- the past 3 years have rushed by in a way I've never experienced before. The reason, I think, is my mundane existence in the career I'm building that has somehow sucked energy for my vital creative interests and the people I love. What good is life if we spend all of our energy and days working, or thinking about work, with no time for our personal interests?

I'd rather be pulling weeds, growing food, riding bicycles, cuddling babes, laughing, cooking, sewing, and enjoying life than spending 8 hours a day in front of a computer, plus an hour of shit lunch from the cafeteria of my office (a great design if you want people to spend even more time at the computer), plus 3 more hours sitting in a van commuting to/from work. It seemed like a great idea when I moved into this position in May... But the days grow shorter and my personal sense of happiness fades just like the summer sun. Wake up in the dark, sit in the dark all the way to work, and get home in the dark with only a couple of hours to spare before it is time to sleep, wake up, and repeat. 

Alas, the need for money drives all things. Want to have a kid? Work harder, save money, spend nearly an entire adult's salary on childcare so someone else sees your child through their most formative years. Want to live in an urban oasis? Work hard, save money, imagine buying a house but see market prices increase 24% in just 2 short years, effectively pricing you out of the opportunity to buy a house OR have a kid, because suddenly you're spending an entire adult's salary on a two bedroom rental while you dream about the house you never bought and the child you haven't yet been able to afford. Want a vacation? Work harder, save money, and decide whether you think the meager savings you've set aside is better spent on the dream of owning a home, the dream of having a family, or the dream of using your two annual weeks of vacation for a trip... And wondering if you'll recover financially soon enough to do any of the other things-- the supposed American Dream-- that seems so far out of reach. 

Fuck this. Portland sucks. 

Sunday, September 11, 2016

Vintage sewing for kids: Butterick 2725 #2

I made the kid a second dress out of denim with a woven stripe pattern, seen the same day as that first one. She likes it! I originally sewed it as a basic A-line dress without any details. 


I used red buttons from one my vintage tins, since I felt like it needed *something* but it still seemed pretty MEHHH to me. 

The kid agreed that she'd still wear it with pockets, so I added them + red piping. 


Sunday, September 4, 2016

Vintage sewing for kids: Butterick 2725

Earlier this year my friend loaned me this fabulous pattern from her stash-- isn't it grand? 


 I intended to sew a version with the fish pocket for my step-daughter (henceforth called the kid) but she wasn't keen on that design. Instead, she chose a great blue/white check fabric from my stash and we started with something very basic. 

Following version B, I bound the neckline and hems with commercial bias tape, which made finishing quite easy EXCEPT (there's always an except with me) that I skipped some steps and had to bind the shoulder seam. This meant I had to miter all the corners, which was super annoying. 


I've been having some trouble with the tension on my Bernina 1008, likely because I've been using poor-ish quality white thread that I got in bulk at the closing sale of a sewing store here in Portland. I'll take the machine in for a tune-up shortly, as I'm only one spool shy of finishing off the entire lot. Anyway, that contributed to wonky buttonholes and also my being out of practice. Good thing the kid won't care!

I used buttons from a tin of old buttons that my husband gave to me for Christmas one year. When sewing the buttons on, I put a crewel needle between button and fabric on the right side, which allows space for wrapping thread afterward for the all-important thread shank. That fabric is gonna lay so flat! 


Because this fabric was quite lightweight, I opted to underline the entire dress with cotton batiste. 


The kid tried on the dress and said it felt kind of stiff-- hopefully it softens up with wearing and washing. The main fabric send to be a linen/cotton blend, and I line dried it when pre-washing. I suspect the linen content because of the resulting stiffness after washing-- but I should do a burn test on a scrap to see what I find. 

I opted out of interfacing the facings, thanks to the underlining. Using the serge to finish edges was the quickest and easiest approach-- but the serger also needs some work with the tension. And final comment on techniques-- the dart stitching method is one I learned in an industry/commercial sewing course. I stitch the dart from clipped/marked edges, to about 1/16 inch past the hole marked with an awl, to the dart tip. Then I keep sewing off the edge for about 5 or 6 stitches to make a chain, then with my needle up, I bring the needle back down into the body of the dart and stitch backward/forward to anchor the dart stitches. I take care to watch the tension of the chain to prevent any pulling on th dart tip. 


And that's that! Dress is done. It was a very quick project, taking only a few hours included cutting time (really-- cutting takes forever without a proper table large enough). 



Sunday, August 28, 2016

Roasted Tomato Passata


Oh summer-- your bounty of tomatoes has required an exhausting amount of energy from my past week, which I've considered an investment to warm me in the darkest, dreary winter days ahead. The air turned cooler this week, a welcome break after a heat wave with multiple days over 100 farenheit, and suddenly it felt a bit like fall.

Back in 2011, I wrote about my first round of canning tomato passata from the River Cottage Preserves Handbook. That time, due to what we had on hand, the batch included onions instead of shallots and dried herbs instead of fresh. 

The recipe can be found on page 165 in the American edition of the book, but in summary:


Tomatoes (so many)
Shallots (peeling FOREVER)
Garlic
Basil (fresh, from our garden)
Salt
Sugar
Oil



After roasting everything together until soft, I passed all of it through the food mill. Because of my limited availability after work (my new commute is 3 hours round trip per day), I spread the roasting and milling out over 3 days and froze the purée during the meantime. I couldn't just keep it in the freezer because 

1) tiny freezer, duh
2) I have to justify my massive mason jar collection 

I added all the frozen sauce into a stockpot (technically, two, since I was short on space in just one) and brought it back up to a constant simmer/boil for a while before canning. 


Knowing I'd need a LOT of jars and that it would add time and work to boil them all, I made a leap of faith and tested the mini/portable dishwasher for the first time. After living here 2.5 years without every trying it, I have to say that I was very pleased! The heated dry cycle keeps the jars nice and warm while I waited between batches. 


In the end, I landed with 27 full pints and a refrigerator-worthy half pints. For dinner tonight we had grilled cheese dunked in that half pint of remaining passata-- which Steve declared was delicious. Success!

My coworker/friend shared his bounty of mom-grown tomatoes, for which I am very, very grateful. He surprised me with FORTY SIX POUNDS! I plan to share two jars with him-- one for himself and one for his mom, and I hope they enjoy them.  

Note: this project required peeling approximately 6 pounds of shallots. It was by far the worst aspect, and in the future I'll attempt blanching them first to remove skins. It was such a pain in the fingers/fingernails. 

Sunday, May 15, 2016

The Milky Way

This afternoon I read an article posted by PBS, stating that entire generations of urban and suburban dwellers have never seen the Milky Way due to light pollution. 

I am incredibly saddened by the loss of our connection the natural state and wonders of our world. 

I grew up in a place where we often slept outside under the stars for fun, pointing out constellations and following the Milky Way's run across the night sky. On dark summer nights as children, we'd stay up late counting the shooting stars until our heavy eyelids coaxed us into sleep. We would wake up after sunrise, slightly damp from the early morning dew, to the sounds of people moving about their day to begin farm chores-- like grandpa whistling when he came by to pick up one of the kids to go feed cattle with him.

I miss that life. I miss the stars. 

Friday, April 1, 2016

Handspun: Jacob sheep, bi-color, drop spindle.

In approximately 2011, I was gifted some beautiful sheeps wool already prepared into this pretty roving, stranded bi-color black and white, and I feel nearly certain that this is Jacob sheeps wool but I can't be certain since the gifter bought it from a farmside table. Endearing, right?


This yarn was spun very early in my spinning career, shortly after I had taken a spinning class and was only using a drop spindle for production. I had relocated from Utah to Washington, and took the wool with me.


The yarn itself was spun into single and then 2 plied against itself, resulting in a very homespun-feeling yarn. I've never used it for knitting, but believe it's still tucked away in my handspun stash somewhere amongst lavender sachets and the wooden hand cards that I hated using.


Saturday, March 12, 2016

Sewing the Moneta Dress (x 3)


Moneta Dress with 3/4 sleeves
When the Moneta Dress was published in partnership with Colette Patterns and Alyson Clair, I pretty much had a sewing love affair which has continued intermittently because it's now my TNT knitwear dress pattern. It's not new to the sewing scene anymore, but I love it as much now as I did in the very beginning -- it's flattering, easy to alter/swap the skirt, easy to grade between sizes, and a great showcase for fun knit fabric. In this post, you'll see my first three that I sewed right away and I still love these three because of my fabric choices, all of which were found at the thrift store. The paisley dress fabric cost $2 total, and both the sailboats fabric and veggies fabric cost $1 each. In total, the cost of the dress is roughly $5 each, though with each Moneta I sew the "cost" of the pattern is distributed even further amongst all the dresses. I think I've sewn 10+ adult Moneta Dresses, including hacks in which I used Moneta as the base. I've also sewn 4 child Moneta Dress hacks, where I graded the XS size down a bit to fit my step-daughter.


As far as the actual cutting and sewing is concerned, I definitely recommend a roller cutting blade and mat for maximum speed and ease-- it's easy to whip out 3 or 4 of these in a day if you cut them all at the same time. 


When sewing the dress with skirt as-is, meaning I don't swap it out for a circle skirt like I commonly do, pockets are pretty standard with a solid cotton knit. If I sew the dress out of something like a rayon blend or with lots of drape, I won't add pockets because it can affect the way the skirt hangs-- not to mention, a cell phone in the pocket of a stretchy/drapey fabric actually looks strange.


When sewing the sleeveless/collarless version, don't forget to grade the lining fabric. This pulls the seam to the back side and helps keep the lining from rolling out to peek when you have the dress on.
When I sewed my first sleeveless Moneta I felt sort of confused about the way it is constructed-- it feels like some sort of loopy twisted mess, but it's magical when it all comes together with such a clean finish.

Moneta Dress bodice, inside-out during construction.

Moneta Dress, complete.

Moneta Dress bodice, close-up finishing of armscye and neckline.
 When it comes to the skirt construction, I actually attach the clear elastic by seger/overlocker, rather than switching to my sewing machine. To make this part more manageable, I take my measured elastic piece, and fold it in half, marking the halfway point with a pin through the elastic. I then fold it in half again (quarters), marking the 1/4-way points with a pin through the elastic. I then take my skirt pieces, which have already been serged together to make a free-standing skirt before attaching to bodice, and I pin the elastic into place. This way, I don't have to worry about free-handing the stretch as I sew it in place. I flip up the blade of my serger to avoid cutting the elastic (seriously annoying, trust me) and then ZOOM, elastic attached! I then serge the skirt to the bodice, with the blade down, taking care not to trim off the elastic I've sewn in place.

Here's where I admit something: it might actually be better to just use your sewing machine to sew the elastic in place. I can't say for sure, because I've never bothered to do it that way, because I can't be bothered enough to switch out my jersey/ballpoint twin needle that I use for hemming the skirt, sleeves, and neckline on the unlined versions. I am too lazy to re-thread my machine, and this works well-enough, so there. I have enough sewing machines that I could always leave one set-up as a single-needle knit machine, a double-needle knit machine, and keep my woven-ready machine(s) separate, but I don't have the space for that. Someday, however, I fully intend to have two sewing stations, one of each set up with a serger and sewing machine, so I don't have to switch out jersey needles for sharps or try and remember what I've put in there last-- I just have them both ready to go, depending on the project!


Have you been sewing Moneta dresses too? What is your favorite aspect, and are there any parts of the construction you find challenging?